Rock Varano This year there will be ... August 29 at 21:37 ... as every year ...
Yesterday, floor tiles on terraces was a problem. The infiltrations were on the agenda of structural adjustment, temperature, tiles layers. Today there
The Prometheus Events
has
In bed with ... Willy!
Jade Trebeschi
" Here ... yet another work on Shakespeare. " This is perhaps what some think will be brought to the presentation of this art project, except that this time, the bard of Stratford-upon-Avon was really revisited comminuted contaminated and distorted - in a good way, of course!
Only a deep love for the Elizabethan theater combined with a very Italian feeling could lead to an idea as ambitious: to create a brilliant and original plot that allows actors on stage, that deliberately are only three, to tell a story populated by too-familiar characters such as Othello, Lady Macbeth, Hamlet, Romeo and other species in a dream-nightmare, whether by the ironic and often hilarious, he plays with the typical jokes Comedy Art, its so dear to Shakespeare himself. The viewer is involved in the scene and almost accompanied by a crescendo of metatheatrical found intriguing as a kind of hyperbolic mirror game.
The story tells of a tormented contemporary director, after a scene of jealousy, he is forced to sleep in a makeshift bed in a closet of the theater where he is working on staging de La Tempesta. One night, alone with his thoughts and goes to sleep, a little to create the charm of the place where it is, a bit to those created by Shakespeare's characters with whom every day is to have to deal, just a dream populated by those characters who knows, loves and hates deeply and now are combined as if he himself was one of them, also an actor on this great theater in the world.
The characters interact with our dreamer, in a series of hilarious situations that play, for example, with an unlikely Othello's jealousy, the agility of a word or Taming the ridiculous Depression Macbeth the murderess, the characters narrate themselves in a new and ironic that, while subverting the traditional, still offers a tribute full of admiration for the genius who created them.
William Shakespeare staged life and that is why today, as five hundred years ago, it remains topical, current and interesting so that even with a kind of artistic experimentation as the We may be able to rip a laugh even if he had stuck the dart of his eternal words.
Any redundancy was deliberately costumes avoided to let the imagination of the spectator who, in turn, will be guided in the identification of the character by a few distinguishing features. Although the scenes are minimized, and the place dedicated to the representation is no longer binding, allowing the text itself can "shape" space as needed as it was just the Elizabethan theatrical tradition.
show new production for distribution in summer and winter Season 2009 - 2010
Information: prometheusevents@gmail.com
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In Pescara the International Seminar of the Commedia dell'Arte
The workshop will take place on Saturday 13 and Sunday 14 June and Saturday 20 and Sunday, June 21 , with hours from 9 to 12.30 and 15-18. The location will be in Pescara at the Piccolo Teatro Gascon Via dei Marsi 41. The exact date of the preview will definitely be communicated to members, who must apply no later than May 30 to prometheusevents@gmail.com or by calling 393/8509001. You will need to send photo and resume with email address and telephone number. After an initial selection, the students admitted will be invited to the preview of the workshop. About http://prometheus-events.blogspot.com/
"The Italian actors of the '600 that Italy went to animate all the courts and European cities, from Spain to Russia, from France to Germany - Silvano says Torrieri - were the first real" professionals "and developed methods and techniques that substantiate still our idea of \u200b\u200btheater, drilling into a concrete exercise stage and facing the first public road and then the courts of princes. This evolution is reflected by the development of texts and the way in which the language has changed and it is linked to the word, resulting in composite forms of language, a vehicle and the channel which is the universal form, and loading a message. "
The study of the Commedia dell'Arte be traced back to the primordial ingredients of the scenic and gestural communication . To this aim must be added not only the preparation to deal with texts from that period, but also the ability to deal more learning the Italian language and also to investigate the technique of the actor in general, strengthening its ability to dominate completely. The workshop is sponsored by the Abruzzo Region and the Province and the Municipality of Pescara.
DOWNLOAD THE REGISTRATION FORM TO: http://file2.ws/teatrali3
MORE INFO SU: http://prometheus-events.blogspot.com
TO DOWNLOAD THE POSTER AND BROCHURE ON: http://file2.ws/locandina2 and http://file2.ws/brochure8
program:
The Commedia dell'Arte: origin and character of Masks . It provides for the use of slide shows featuring paintings and prints relating to the characters of the Commedia dell'Arte and their predecessors.
use and meaning of the form:-routing with specific characteristics.
Stylize of historical Masks (Zanni, Pantalone, Brighella, The Doctor, The Captain, Columbine, Harlequin): movements, gestures and drama unique to each character.
Improvisations of Masks : free invention on the part of participants in the course of short scenes between different masks.
processing and structuring improvisations : towards a play (an example).
Total time: 4 days 30 hours divided by 7.5 hours per day.
Total cost: € 192.00 (cinquantadue/00): VAT, accommodation and meals included.
Number of participants: from a minimum of 8 to a maximum of 20.
DOWNLOAD THE REGISTRATION FORM TO: http://file2.ws/teatrali3
MORE ABOUT: http://prometheus-events.blogspot.com
TO DOWNLOAD THE POSTER AND BROCHURE ON: http://file2.ws/locandina2 and http://file2.ws/brochure8
News on the training of Silvano Torrieri.
Torrieri Silvano was born in Teramo and lives in Pescara. From 1987 to 1990 he attended the most important Italian theater school, the School of Theatre of the Piccolo Teatro of Milan, directed by Giorgio Strehler. What today is his humble professionalism is given by three years of study in which the valuable lessons strehleriani have added valuable experience with prominent personalities from the world of theater such as, for example, Ferruccio Soleri, Andrea Jonasson, Giulia Lazzarini, Franco Graziosi, Gianfranco Mauri, Dario Del Corno, and Marise Flach.
Actor obtain positive consent of the public and the press playing the roles of:
Brighella and Silvio in "Good Morning Edition" of "Arlecchino, Servant of Two Masters" by Carlo Goldoni, directed by Giorgio Strehler production Piccolo Teatro di Milano;
trap in the "skill of Captain Fright" by Francesco Andreini, directed by Gilberto Tofano, co-starred with Stefano De Luca, Production Association and Puppet Theatre and Theatre Fresedde Pistoia, Florence;
Malatestino in "Francesca da Rimini" by Gabriele d'Annunzio, directed by Luciano villagers, alongside Antonio Salines;
Luke in "Marshal of the Butterfly" by Roberto Cavosi directed by Antonio Calenda, alongside Virginio Gazzolo, production Teatro Stabile del Friuli Venezia Giulia;
Sir William Catesby in "Richard III" by William Shakespeare, directed by Antonio Calenda and alongside Franco Branciaroli, production, Teatro Stabile del Friuli Venezia Giulia and Theatre Incamminati;
the Devil in "on the tablet of your heart - The act Celestine hermit" by Luigi Maria Musati directed by Massimiliano Farau, alongside Mariano Rigillo, Abruzzese Theatre Company production;
and many important roles in national and international theater companies.
As a teacher he Commedia dell'Arte taking courses alongside Ferruccio Soleri to
the Institute del Teatre in Barcelona;
the Stadsschouwburg of Amsterdam;
The Baroque Theatre de France in Paris;
the Athens Concert Hall Athens;
Amalia Theatre of Thessaloniki.
He has also taught Communication Theatre and Commedia dell'Arte at the Laboratory of Performing Arts of the TRA (Abruzzo Regional Theatre) directed by Federico Fiorenza, and TSA at the Teatro Stabile directed by Beppe Navello Abruzzese, Theatre Marrucino of Chieti.
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