Thursday, June 25, 2009

Life Expectancy Of Wegener's Granulomatosis

IN BED WITH ... WILLY!


The Prometheus Events

has

In bed with ... Willy!

Jade Trebeschi


" Here ... yet another work on Shakespeare. " This is perhaps what some think will be brought to the presentation of this art project, except that this time, the bard of Stratford-upon-Avon was really revisited comminuted contaminated and distorted - in a good way, of course!

Only a deep love for the Elizabethan theater combined with a very Italian feeling could lead to an idea as ambitious: to create a brilliant and original plot that allows actors on stage, that deliberately are only three, to tell a story populated by too-familiar characters such as Othello, Lady Macbeth, Hamlet, Romeo and other species in a dream-nightmare, whether by the ironic and often hilarious, he plays with the typical jokes Comedy Art, its so dear to Shakespeare himself. The viewer is involved in the scene and almost accompanied by a crescendo of metatheatrical found intriguing as a kind of hyperbolic mirror game.

The story tells of a tormented contemporary director, after a scene of jealousy, he is forced to sleep in a makeshift bed in a closet of the theater where he is working on staging de La Tempesta. One night, alone with his thoughts and goes to sleep, a little to create the charm of the place where it is, a bit to those created by Shakespeare's characters with whom every day is to have to deal, just a dream populated by those characters who knows, loves and hates deeply and now are combined as if he himself was one of them, also an actor on this great theater in the world.

The characters interact with our dreamer, in a series of hilarious situations that play, for example, with an unlikely Othello's jealousy, the agility of a word or Taming the ridiculous Depression Macbeth the murderess, the characters narrate themselves in a new and ironic that, while subverting the traditional, still offers a tribute full of admiration for the genius who created them.

William Shakespeare staged life and that is why today, as five hundred years ago, it remains topical, current and interesting so that even with a kind of artistic experimentation as the We may be able to rip a laugh even if he had stuck the dart of his eternal words.

Any redundancy was deliberately costumes avoided to let the imagination of the spectator who, in turn, will be guided in the identification of the character by a few distinguishing features. Although the scenes are minimized, and the place dedicated to the representation is no longer binding, allowing the text itself can "shape" space as needed as it was just the Elizabethan theatrical tradition.

show new production for distribution in summer and winter Season 2009 - 2010

Information: prometheusevents@gmail.com

Saturday, June 20, 2009

Brazilian Wax Reviews Mississauga

Closes tomorrow's first International Seminar International Seminar


Closes tomorrow's first International Seminar of the Commedia dell'Arte in Pescara
A workshop led by Silvano Torrieri

tomorrow will end the 30-hour workshop conducted on the Commedia dell'Arte dall'abruzzese Silvano Torriero, who attended the School of Theatre of the Piccolo Teatro of Milan, directed by Giorgio Strehler, and was a student and assistant of Ferruccio Soleri, the most famous interpreter of the mask of Harlequin. The primary objective of the International Seminar of the Commedia dell'Arte has been recalled and illustrate its importance as the foundation of the Italian theatrical tradition oldest, and therefore the basis of all the traditions of European drama, as well as a springboard for the Italian language.

The workshop was held, with hours from 9 to 12.30 and 15-18, in two weekends (Saturday 13 and Sunday, June 14 and today and tomorrow, ie Saturday 20 and Sunday, June 21) at the Piccolo Teatro of Gascon via dei Marsi 41, thanks to the cooperation of the Gascon Theatre Company.
"The Italian actors of the '600 that Italy went to animate all the courts and European cities, from Spain to Russia, from France to Germany - Silvano says Torrieri - were the first real" professionals "and developed methods and techniques that substantiate still our idea of \u200b\u200btheater, drilling into a concrete exercise stage and facing the first public road and then the courts of princes. This evolution is reflected by the development of texts and the way in which the language has changed and it is linked to the word, resulting in composite forms of language, a vehicle and the channel which is the universal form, and upload a message. "

The study of the Commedia dell'Arte be traced back to the primordial ingredients of the scenic and gestural communication. To this aim must be added not only the preparation to deal with texts from that period, but also the ability to deal more learning Italian language and also to investigate the technique of the actor in general, strengthening its ability to dominate them completely. The workshop is sponsored by the Abruzzo Region and the Province and the Municipality of Pescara.

Students in the workshop, coming from outside the region, have retraced the origin and character of the masks with the help of slides depicting paintings and prints relating to the characters of the Commedia dell'Arte and their predecessors. They analyzed the meaning and use of mask, intended as an alternative face with their characters, experimenting with various historical stylization (Zanni, Pantalone, Brighella, The Doctor, The Captain, Columbine, Harlequin) movements, gestures and drama unique to each character. The students also tried to improvise short scenes between inventing different masks, setting the stage to a real theater

Torrieri Silvano was born in Teramo and lives in Pescara. From 1987 to 1990 he attended the most important Italian theater school, the School of Theatre of the Piccolo Teatro of Milan, directed by Giorgio Strehler. What today is his humble professionalism is given by three years of study in which the valuable lessons strehleriani have added valuable experience with prominent personalities from the world of theater such as, for example, Ferruccio Soleri, Andrea Jonasson, Giulia Lazzarini Franco Graziosi, Gianfranco Mauri, Dario Del Corno, and Marise Flach.